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課程名稱 |
現代主義美學與政治
THE MODERNISTS' AESTHETICS AND POLITICS |
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開課學期 |
97-2 |
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授課對象 |
文學院 外國語文學研究所 |
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授課教師 |
劉亮雅 |
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課號 |
FL7006 |
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課程識別碼 |
122 M0500 |
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班次 |
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學分 |
3 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
星期二5,6,7(12:20~15:10) |
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上課地點 |
外研三 |
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備註 |
本課程中文授課,使用英文教科書。第二、三類
限碩士班以上
總人數上限：15人 |
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課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
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課程大綱
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為確保您我的權利,請尊重智慧財產權及不得非法影印
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課程概述 |
............... |
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課程目標 |
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課程要求 |
本學期將閱\讀以下九本小說及T. S. Eliot的 |
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預期每週課後學習時數 |
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Office Hours |
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指定閱讀 |
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參考書目 |
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評量方式
(僅供參考) |
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週次 |
日期 |
單元主題 |
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第1週 |
2/17 |
Introduction
Virginia Woolf, “Modern Fiction”
T. S. Eliot, “Tradition and Individual Talent”
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第2週 |
2/24 |
Bradbury and Fletcher, “The Name and Nature of Modernism,” Modernism: 1890-1930, pp. 19-55
David Lodge, “The Language of Modernist Fiction: Metaphor and Metonymy,” Modernism: 1890-1930, pp. 481-96.
David Harvey, “Modernity and Modernism,” The Condition of Postmodernity, pp. 10-38
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第3週 |
3/03 |
Roland Barthes, selections from The Pleasure of the Text, from A Critical and Cultural Theory Reader, 96-100, 248
Matei Catinescu, Five Faces of Modernity, pp. 3-10, pp. 41-58, pp. 265-67
Astradur Eysteinsson, “Realism, Modernism, and the Aesthetics of Interruption,” The Concept of Modernism, pp. 179-241
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第4週 |
3/10 |
Elaine Showalter, “Decadence, Homosexuality, and Feminism.” Sexual Anarchy, 169-87
Julia Kristeva, “Approaching Abjection,” Powers of Horror, 1-31
Judith Butler, “Gender Is Burning,” Bodies That Matter, 56-89
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第5週 |
3/17 |
Laura Mulvey, “Visual Pleasure and Narrative Cinema” “Afterthoughts on ‘Visual Pleasure and Narrative Cinema,’” Visual and Other Pleausres, 14-38
Gwen Bergner, “Who Is That Masked Woman? Or, The Role of Gender in Fanon’s Black Skin, White Masks,” pp. 75-88
Chandra Talpade Mohanty, “Introduction: Cartographies of Struggle: Third World Women and the Politics of Feminism” Third World Women and the Politics of Feminism, 1-47
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第6週 |
3/24 |
Edward Said, Selections from Orientalism, pp. 201-31.
Edward Said, Selections from Culture and Imperialism, pp. 50-95.
Rey Chow, “The Secrets of Ethnic Abjection,” The Protestant Ethnic and the Spirit of Capitalism, pp. 128-52.
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第7週 |
3/31 |
Walter Benjamin, “On Some Motifs in Baudelaire.” Illuminations, pp. 155-200.
Walter Benjamin, “The Image of Proust.” Illuminations, pp. 201-15.
Sigrid Weigel, “From Images to Dialectic Images: The Significance of Gender Difference in Benjamin’s Writings.” Walter Benjamin: Critical Evaluations in Cultural Theory, Vol. III, pp. 280-94.
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第8週 |
4/07 |
Joseph Conrad, Heart of Darkness (Norton) |
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第9週 |
4/14 |
James Joyce, Dubliners |
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第10週 |
4/21 |
Ford Madox Ford, The Good Soldier (Norton) |
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第11週 |
4/28 |
D. H. Lawrence, Women in Love |
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第12週 |
5/05 |
T. S, Eliot, “Prufrock” and The Waste Land |
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第13週 |
5/12 |
E. M. Forster, A Passage to India (Penguin) |
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第14週 |
5/19 |
Virginia Woolf, Mrs. Dalloway |
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第15週 |
5/26 |
Earnest Hemingway, The Sun Also Rises (Scribner) |
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第16週 |
6/02 |
William Faulkner, The Sound and the Fury (Norton) |
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第17週 |
6/09 |
Scott Fitzgerald, The Great Gatsby (Penguin) |
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第18週 |
6/16 |
NULL |
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第19週 |
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NULL |
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